Read the reply and skip the menus
Read Tess's reply and step over every blank. Something moved, something was lost, and someone is off the hook. You haven't opened a menu, and you already know what to look for.
Marks here go to choices that were true until the email changed them. The reply knows the latest, so these four moves tie each blank to the line it depends on.
5 minutes to read
Before you open a menu, read the reply straight through and skip the blanks. Ask what the writer is reacting to: that's the news. Then find it in the email, just after words like not, instead, now, moved or after all. Scroll through one reply and tie each blank to its line.
Why it scores. The blanks are built on what changed, so a version from before the change still looks right. Once you know the news, you know which version the reply means.
Read Tess's reply and step over every blank. Something moved, something was lost, and someone is off the hook. You haven't opened a menu, and you already know what to look for.
Noor's flight is Thursday, not Friday, the market's off, and Ravi's driving. Cross out the old version in your head, because it's about to come back as a choice.
"Now arriving" can only mean the changed flight. All four days are in the email, and Friday is the plan she's just replaced. Pick what's true after the news, and point to the line.
Brunch, the panel and the bus are all in the email, and each fits after "a shame about". Only one was called off. Everything else in the menu is still happening.
The reply says the brother is off the hook. The email says why: Ravi's picking Noor up, which the right choice says another way. Every menu now hangs from a line. One with no thread is the one to come back to.
Hi Tess,
Change of plan: I land on Thursday now, not Friday, because the conference moved its opening talk. They've put me on a panel Saturday morning, so the market's off. I can still do Sunday brunch before my three o'clock bus. And don't ask your brother for the car: Ravi's picking me up.
Noor
Noor, good thing you warned me! Since you're now arriving 7Chooseon Thursday, come straight to us. A shame about 8Choosethe market, but my brother is off the hook now that 9ChooseRavi is collecting you. See you Sunday.
Saying a blank over in your head won't help, because all four choices sound fine in the sentence. Hold each one up to the email and ask: after the news, is this what happened? Three of them will fail, and you'll be able to say why.
Why it scores. The menus test whether you understood the email, not your grammar. A reason you can name beats a choice that only sounds right.
The emailThe tournament moved to Elmira, so the carpool's off, but Joel's dad has room for both girls.
Thank goodness Joel's dad could run the carpoolchange the venuecoach in Elmiradrive both girls.
When an email has several people, days or places, the wrong choices are real details attached to the wrong one. Find who the sentence is about, read only that person's line, and give every other detail in the menu back to its owner.
Why it scores. Wrong choices come from the text, so they all feel familiar. Asking whose detail it is catches what recognition can't.
The emailAna has the tables on Friday. Ben can only come Saturday, so he's doing the signs. Joss is minding the cash box.
Ben will put up the signs.
Eleven questions in eleven minutes looks like a minute each, but reading comes out of the same clock. Give the email two minutes, its six questions four, the reply and its five blanks four, and keep the last minute for going back. If a menu runs over, pick your best guess and move on. It stays on the screen, so you can still change it.
Why it scores. A wrong guess costs nothing extra, and an empty menu earns nothing. The reply's blanks come last, so time lost early costs you those.
Smaller than a move, and just as easy to forget on the day.
They tell you how the two know each other and how formal the email is. A question about tone is often answered right there.
Some questions ask what wasn't said or done. Find the three things that were, and the answer is the one left over.
A day can follow from a timeline and never be stated: two days after Tuesday's meeting. Seven boxes on your pad, and place each event.
The line before the one you're staring at often holds the not or the instead that settles it.